181: Linda Ronstadt & J.D. Souther, ‘Faithless Love’

Posted by on Oct 4, 2013 in Rock, Song Of the week |

Linda Ronstadt (Photo by Annie Leibovitz)

I hate J.D. Souther.

He’s a first-rate songwriter, a very respectable singer, a fine actor, and he seems like a real nice, laid-back country kind of guy, with a demeanor like a well-loved, well-worn flannel shirt.

But he was deeply involved with Linda Ronstadt at her most flowerful, and collaborated with James Taylor. No one deserves that much luck in life. It throws the universe out of kilt. So I hate him.

Souther (b. 1945) started his musical career in a country-folk-rock duo with roommate Glenn Frey as the duo Longbranch Pennywhistle (1970), backed by James Burton, Ry Cooder, Doug Kershaw, Jim Gordon, Larry Knechtel and Joe Osborn. Hell, my neighbor could make a good album with those guys backing him.

Frey then joined young Linda Ronstadt’s backing band together with drummer Don Henley. The two of them formed The Eagles in 1971, whose Souther/Frey-written songs included ‘Best of My Love’, ‘Victim of Love’, ‘Heartache Tonight’, ‘New Kid in Town’ and ‘How Long’.

LtoR: Not me, Linda

Souther went on to make two albums in the mid-70s with the Souther-Hillman-Furay Band. That’s ex-Byrd Chris Hillman and ex-Buffalo Springfield Richie Furay (like Poco, an almost-CS&N all-star band of the day). Hell, my neighbor’s mother-in-law could make a good album together with those guys.

By that time, Linda Ronstadt was comfortably ensconced in the California governor’s mansion as Jerry Brown’s live-in paramour. I don’t know how that sounds today, but back then it was a jaw-dropper, a public pairing that could only happen on the edge of the San Andreas Fault.

Linda Ronstadt was the most popular female vocalist of the 1970s, the first “arena-class rock diva”, commercially outdistancing Joni Mitchell, Janis Joplin and Carole King. Linda churned out six platinum-certified albums in the 1970s alone, three of them reaching #1.

She was a cover girl—pun intended.

Hasten Down the Wind cover. Who noticed the horse?

Her album sleeves and cover photos on Rolling Stone and Time played up her very fetching self, especially an alluring array by Annie Leibovitz. The cover photo of “Hasten Down the Wind” was as much an eye-conic image of the era as Farrah Fawcett’s poster.

Her musical formula was an LA-studio slick amalgam of country/rock/rock and roll that became the very earprint of the time. She took her material from that same pool, giving the likes of Buddy Holly, Chuck Berry, Hank Williams, Smokey Robinson and the Everly Brothers some of their best-known and biggest-selling renditions. She also drew from her most talented contemporaries, such as James Taylor, Randy Newman, Neil Young, Elvis Costello, Warren Zevon, Karla Bonoff. And, of course, J.D. Souther. Dammit.

Linda Ronstadt (Photo by Annie Leibovitz)

In the early 1970s, Linda’s lovers produced her records (or perhaps she took her producers as lovers—if you want to know more details about the precise chain of each of these relationships, you can do the research yourself). In 1973, that was J.D. But I guess you can’t make love in the recording booth (at least not comfortably), and you can’t record in the boudoir (at least not without schlepping a whole lot of equipment).

Because toward the end of the “Don’t Cry Now” album, Linda figured out that she needed a producer upon whom she wasn’t bestowing her considerable favors. Kate Taylor told Linda what a great job Peter Asher was doing with her brother James. So Linda grabbed him in (musically), and by maintaining a business relationship, they made a lot of hay. Green hay, that is. And lots of albums, including “Heart Like A Wheel” (1974), “Prisoner in Disguise” (1975), “Hasten Down the Wind” (1976), “Simple Dreams” (1977), and “Living In The USA” (1978).

Peter Asher’s one find producer. He started his career as half of Peter and Gordon, for whom Paul McCartney (whose lover was Peter’s sister Jane) wrote ‘A World Without Love’, ‘Nobody I Know’, ‘I Don’t Want To See You Again’ and ‘Woman’. Hell, my neighbor’s mother-in-law’s cousin could have been a rock star with a Beatle writing songs for him. Did I mention that the world’s not fair?

LtoR: James Taylor, not me

In addition to Linda, Peter produced almost all of James Taylor’s first dozen albums, including the 1981 “Dad Loves His Work”, which featured a duet with J.D. on a fine, fine song they co-wrote, ‘Her Town Too’.

In 1987 J.D. participated in the Roy Orbison and Friends, A Black and White Night concert and video, where he backed Orbison together with Bruce Springsteen, Tom Waits, Elvis Costello, Jackson Browne, k.d. lang and Bonnie Raitt. (Just to show there’s no grudge, here’s J.D. on the right, together with Elvis C, on ‘Pretty Woman’ from that show.)

I could have lived with the fact that. But then in 1989, he got cast in thirtysomething, for my money the best real-life TV drama ever made. And not just in a bit part. He was cast as the extra-marital love interest of the very pregnant Hope Steadman (Mel Harris), the fantasy-inducing über-shiksa. In Season 3, episode 19, he kissed her. He kissed Hope. Ah, c’mon.  

LtoR: Not me, Hope

If life is unfair – and I think we’ve established quite conclusively by now that it is – the blow can be palliated by listening to the string of J.D. Souther songs Peter Asher made into hits for Linda Ronstadt in the mid-70s. They include the beautiful ‘White Rhythm & Blues’, the indelible ‘Simple Man, Simple Dream’, the wrenching ‘Prisoner in Disguise’ and our SoTW, the heartbreaking duet ‘Faithless Love’. Here’s J.D. performing it himself. I guess Linda had a date with Gov. Brown that night. And here’s Linda performing it on her own. I guess J.D. had a date with Hope.

I used to play the guitar (poorly) and sing (just a little better) back in those days. I didn’t have Souther writing for me, Peter Asher producing me, Linda Ronstadt singing with me, or Hope falling in love with me. But I did manage to figure out how to fumble through ‘Faithless Love’ in a comfortable key. Singing that song, even as pitifully as I did; and even more, listening to Linda’s divine treatment – that has made all those feelings of inadequacy and pure jealousy hurt just a bit less.

Faithless love like a river flows
Raindrops falling on a broken rose
Down in some valley where nobody goes
And the night blows in like the cold dark wind
Faithless love like a river flows

Faithless love where did I go wrong
Was it telling stories in a heartbreak song
Where nobody’s right and nobody was wrong
Faithless love will find you
And the misery entwine you
Faithless love where did I go wrong

Well I guess I’m standing in the hall of broken dreams
That’s the way it sometimes goes
Having a new love never turns out like it seems
Guess the feeling comes and goes

Faithless love like a river flows
Like raindrops falling on a broken rose
Down in some valley where nobody goes
Faithless love has found me
Thrown its chilly arms around me
Faithless love like a river flows

If you enjoyed this posting, you may also like:

076: Roy Orbison, ‘Oh, Pretty Woman’
SoTWs about James Taylor
159: Smokey Robinson & The Miracles: ‘Ooh Baby, Baby’

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7 Comments

mikeeeee
Oct 4, 2013 at 5:47 pm

Beautiful voice, but too countryish for me.


 
Malcolm Pordes
Oct 4, 2013 at 8:15 pm

I haven’t heard anybody mention Thirtysomething for many years. It used to be one of my favourite shows. And I was crazy about Hope too!
Such sad news about Linda Ronstadt. One of the best interpreters of Jimmy Webb’s songs. I’m looking forward to reading her autobiography.


 
Sue (Dayton)
Oct 5, 2013 at 8:58 am

Jeff, Jeff, Jeff –

You DO live inside my musical kishkes. If you knew how many times I sang that song (and always felt as jealous and inadequate as you did). I made aliyah with the cassette tape of “Heart Like a Wheel” in my hand baggage so it wouldn’t get lost! When anyone every asked me whose voice I would love to have as my own, the answer was always Linda’s. Thanks so much for posting this.


 
Sue (Dayton)
Oct 5, 2013 at 8:59 am

P.S. – just so you know….I have the soundtrack CD of “Thirty Something”…nu…


 
Steve
Oct 5, 2013 at 6:44 pm

Great post, Jeff. Thanks. I’ve always liked Souther and his contemporaries. (I’ve always lumped in the late Andrew Gold with that gang, too.) And I have loved Ronstadt since the 60s. I’ve been especially infatuated with her since the news of her Parkinson’s broke, and have been playing her music a lot. All the songs you mentioned and so many more are gems. I had the pleasure of seeing her in an arena concert (literally at The Arena in St. Louis) in the early ’80s.

Sorry to ramble– anyway thanks for the memories and helping to bring back this old passion of mine. Thanks a lot. 🙂


 
Kevin Pat
Oct 16, 2014 at 2:44 pm

I think Heart Like A Wheel is a classic album. Beautifully paced, arranged and of course sung. The pinnacle is “Faithless Love” and isn’t that JD accompanying Linda on that track? Just to add salt to your wounds Jeff, Jackson Browne does a very nice “Jesus in 3/4 Time” and Raul Malo does a very nice “You’re Only Lonely”…. Also Central Park used to have great outdoor summer concerts at the Wolman Skating Rink. JD played with Furay and Hillman once. They obviously forgot to bring their hearts. But Linda played a few times, and I remember one time after she sang “Desperado” she received a very generous, long and loud ovation. Her voice rang through the park. Nice moment for her, and us!! Thanks for the post. BTW I hate him too.


 
Recruiting Animal
Oct 23, 2014 at 10:56 pm

Jeff, you’re young enough that the uber-shicksa jokes are just irrelevant I think. Your parents were probably not uneducated immigrants so that a woman like Hope Steadman, if she was your age, would have simply been a classmate and if she was a world apart from you it would have been for other reasons than religion or ethnicity. In Lenny they make the same kind of joke but Lenny was from your parents’ generation. Things were different then.


 

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