4

210: Tigran Hamasyan, ‘Drip’

Tigran’s website says he plays “atmospheric punk jazz improvisations fused with the rich folkloric music of his native Armenia”. Me? My binge is in its sixth day and I still have no idea what I’m listening to. But I’m still listening.

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1

045: Julie London, ‘Bye Bye, Blackbird’

How Julie London enticed Jeff into basshood

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1

032: Duke Ellington, “Take the ‘A’ Train” (Billy Strayhorn)

When young Billy Strayhorn played for him backstage, the legendary Duke Ellington was very impressed: “I’d love to have you in my organization. I’ll call you.” But no call came, so Billy, literally hungry, took the chance of showing up at the Duke’s door. Not wanting to go empty-handed, he took the note the Duke had written: “Take the ‘A’ train…”

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0

055: Miles Davis/Gil Evans, ‘Concierto de Aranjuez’ (“Sketches of Spain”)

In which a jazz recasting of classical favorite trumps the classical original. Gil Evans and a taste of heaven.

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5

259: Chris Thile & Brad Mehldau: ‘Marcie’ (Joni Mitchell), ‘Don’t Think Twice’ (Dylan)

You don’t need Thile and Mehldau to justify the standing of Dylan or Mitchell. But their fresh new readings may still amplify and even enhance the originals.

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8

254: Vince Guaraldi/We Five, ‘Cast Your Fate to the Wind’

Life can be quirky.
So you might as well cast your fate to the wind.
And don’t sit under ledges where pigeons are roosting.

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225: Brad Mehldau, ‘The Falcon Will Fly Again’/Luis Bonfa, ‘Manha de Carnaval’

A great contemporary artist inspired by an iconic original. Lilting, uplifting, in π/4.

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4

244: Bill Evans/Miles Davis, ‘On Green Dolphin Street’

Moledro — a feeling of resonant connection with an artist.
Some disparate notions about Bill Evans, all of them moledros.

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