192: Les Double Six of Paris, “Moanin'”

The hard-bop jazz vocal sextet Les Double Six of Paris–their sources, their contemporaries and their followers; and why vocal jazz groups loved singing Count Basie.

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180: Tim Ries, ‘Jumpin’ Jack Flash’ (Flamenco)

Fellas – if you’ve ever taken my advice about anything, watch this clip. If it doesn’t make your blood boil, you’re probably dead.

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178: The Claudia Quintet +1 feat. Kurt Elling, ‘Showtime’ (“What is the Beautiful?”)

What is the Beautiful?
(Hint: The best things in life are acquired tastes.)

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168: Neal Hefti, ‘Girl Talk’

Women are a superior breed to men, but everyone from God to James Thurber knows they sure like to talk. Girl Talk.
I personally wouldn’t have it any other way.

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109: Daniel Zamir, ‘Shir HaShomer’

Why does free jazz/Chabad soprano saxophonist Daniel Zamir draw materials from an old Israeli song glorifying a watchman from the 1930s? Why is today’s Israeli jazz a natural, organic expression of early Zionist settlement? Why is Jeff calling a 21-year old drummer a genius? The answer to these and many more questions in Song of The Week.

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4

040: Lennie Tristano Quintet, ‘317 East 32nd’ (Live in Toronto 1952)

Desert Island music. Ice also burns.

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153: Pete Christlieb & Warne Marsh, ‘Magna-Tism’

Pete Christlieb (Steely Dan/Tonight Show ) teams up with the legendary Warne Marsh, 1978. Listen to two tenor saxophonists set the studio on fire.

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138: Eliane Elias, ‘Baubles, Bangles and Beads’

I can’t think of a single reason why Brazilian/American jazz/bossanova pianist/singer Eliane Elias isn’t a household name – she is a serious musician, outstandingly talented, commercially appealing, and uncommonly pleasing to look at.

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