6

084: Dmitri Shostakovich, Prelude & Fugue No 16 in B-flat Minor (Tatiana Nikolaeva)

My personal journey from “Petula Clark sings Robert Johnson” to J.S. Bach to Dmitri Shostakovich.
Searching? Bad Navigation? Simple twist of fate?

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3

250: Mose Allison, ‘Young Man’s Blues’

They’re dropping like flies — Mose Allison, Leon Russell, Leonard Cohen, Paul Kantner, teenagers dying of old age.
Talkin’ ‘bout my g-g-g-generation.
Carpe diem?
After my nap.

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4

248: Bob Dylan, ‘You Ain’t Going Nowhere’

Well, Bobby got The Nobel, and that’s great.
Fifty years ago, he was awarded a very different prize, The Meshel:
“For introducing me to a new direction, a path I chose to adapt and adopt and live by.”

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4

241: John Sebastian, ‘Welcome Back’

Big week coming up for me. Bigger than winning a million dollars in the lottery. Bigger than flying to the moon. Bigger than anything.

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6

070: Buddy Holly, ‘That’ll Be the Day’

The (almost full) story of Buddy Holly’s great song and the night The Grateful Dead backed me singing it. Yeah, for real.

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4

065: Ella Fitzgerald, ‘Spring Can Really Hang You Up the Most’

A beatnik musical (what??), an obscure jazz standard (oxymoron), and high school nostalgia (snore)–the convoluted paths we take to visit our past.

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16

064: Janis Joplin & Tom Jones, ‘Raise Your Hand’

My memories of Janis–the interview, the kiss, and especially the TV performance where she brought plastic Tom to meltdown.

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21

049: Chrysalis (J. Spider Barbour), ‘Summer in Your Savage Eyes’

This week’s SoTW is long, even by my shaggy dog standards. What can you do? It’s a long story, spanning 45 years. It spins the strange tale of an obscure artist, his music, J. Spider Barbour and his band Chrysalis. The story as I tell it is full of detours, tangents, and irrelevancies; so don’t expect a “well-made” dramatic storyline here. Only a bizarre chain of events in which real life and fantasy intertwine in their ironic and inextricable way.

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