198: Buffalo Springfield, ‘Rock and Roll Woman’

Buffalo Springfield was a flimsy amalgam of superegos, whose main common attribute was a group identity crisis. But, oh, what music they made on the way to their dissolution.

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197: Paul Simon, ‘Hearts and Bones’

Hearts and bones. The soft and hard, that which can only feel pain, and that which can only be broken. The vital and the inflexible, the palpitating and the rigid. The pulsating, quivering, throbbing passions within us, and the structures and strictures and scaffoldings that hold it all up. It’s about how they cohabit within us – intimate, interdependent, synergetic, yet profoundly and inherently separate. Like a married couple.

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196: Ray Charles, ‘You Don’t Know Me’

Ray pretty much invented soul and then cornered the market. Instead of leaving well enough alone, he went and invaded Nashville, dressing a string of Country and Western classics in his jazz/pop/soul style, but with fiercely personal interpretations. Something new under the sun. Something indelibly beautiful.

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193: The Band, ‘Rockin’ Chair’

“The Band” had a profound timeliness for 1969. But it also has a purity and timelessness, a music that evokes respect for what went before, a modesty and gravitas and resonance rare in popular art. The album is a gift.

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192: Les Double Six of Paris, “Moanin'”

The hard-bop jazz vocal sextet Les Double Six of Paris–their sources, their contemporaries and their followers; and why vocal jazz groups loved singing Count Basie.

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195: Hoagy Carmichael, ‘Skylark’

Earworms, crazy loons, the will o’ the wisp, a gypsy serenading the moon, Oliver Twist (the dance), all these and more in this week’s SoTW!
Especially the elegant and passionate songwrighting of Hoagy Carmichael and Johnny Mercer.

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190: Bob Dylan, ‘Boots of Spanish Leather’

Kids, be careful! One little romp in the back seat, whoops, you’re a parent forever. One untimely text, you’re limping through the Pearly Gates at 21. Write a Protest Song at 22, you’re a Protest Singer forever.

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186: The Everly Brothers, ‘All I Have to Do Is Dream’

Boudreaux and Felice Bryant wrote 23 hit songs for The Everly Brothers. The couple met when Felice was 19. She saw Boudreaux in a hotel lobby, told him she’d seen him in a dream when she was 8, and had been looking for him ever since. ‘All I Have to Do Is Dream’ was true autobiography.

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